February 2010 poems

Private Lives

by Allan Peterson

How orb-weavers patch up the air in places
like fibrinogen, or live in the fence lock.
How the broom holds lizards.
How if you stand back you will miss them
afflicted by sunset,
the digger bees mining the yard,
birds too fast to have shadows,
the life that lives in the wren whistle.
You will see moth-clouds
that are moving breaths
and perhaps something like the star
that fell on Alabama
through the roof of Mrs. E. Hulitt Hodges
and hit her radio, then her.
No, you must be close for the real story.
I remember being made
to stand in the corner for punishment
because it would be dull and empty
and I would be sorry.
But instead it was a museum of small wonders,
a place of three walls
with a weather my breath influenced,
an archaeology of layers, of painted molding,
a meadow as we called them then
of repeatable pale roses,
an eight-eyed spider in a tear of wallpaper
turning my corner.
The texture. The soft echo if I talked,
if I said I am not bad if this is the world.

Ash Wednesday

By Anna Askounis

Rend your hearts
return to me
broken and contrite
reconciled
let us journey together
pilgrim
into the
wilderness
keep me, these forty days,
in the dark
secret
quiet
of your
heart

This Paper Boat
by Ted Kooser

Carefully placed upon the future,
it tips from the breeze and skims away,
frail thing of words, this valentine,
so far to sail. And if you find it
caught in the reeds, its message blurred,
the thought that you are holding it
a moment is enough for me.

Groundhog Day
By Lynn Unger

Celebrate this unlikely oracle,
this ball of fat and fur,
whom we so mysteriously endow
with the power to predict spring.
Let's hear it for the improbable heroes who,
frightened at their own shadows,
nonetheless unwittingly work miracles.
Why shouldn't we believe
this peculiar rodent holds power
over sun and seasons in his stubby paw?
Who says that God is all grandeur and glory?

Unnoticed in the earth, worms
are busily, brainlessly, tilling the soil.
Field mice, all unthinking, have scattered
seeds that will take root and grow.
Grape hyacinths, against all reason,
have been holding up green shoots beneath the snow.
How do you think spring arrives?
There is nothing quieter, nothing
more secret, miraculous, mundane.
Do you want to play your part
in bringing it to birth? Nothing simpler.
Find a spot not too far from the ground
and wait.

January 2010 poems

Sunrise
by Mary Oliver

You can
die for it --
an idea,
or the world. People

have done so,
brilliantly,
letting
their small bodies be bound

to the stake,
creating
an unforgettable
fury of light. But

this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought

of China ,
and India
and Europe , and I thought
how the sun

blazes
for everyone just
so joyfully
as it rises

under the lashes
of my own eyes, and I thought
I am so many!
What is my name?

What is the name
of the deep breath I would take
over and over
for all of us? Call it

whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

Seventh of January
By Megan Brett

The wise kings have come and gone,
mistletoe and pine are down from the doorway,
and the tree, poor thing, sits outside in the cold,
nature-bare and free of its holiday dress.
The clay creche has been careful wrapped away,
and the angels have come off the mantle.
All the sparkling trappings of Christmas
gone from the house
(but not, says the hopeful Spirit, from our hearts).

33°

By Karen Claussen

lazy

flakes

of

snow

as

big

as

dreams

are

falling

ever

so

slowly,

and

I

jogging

in

the

park

with

my

dog,

am

made

witness

to

the

covenant

that

life,

despite

its

cold

its

chaos

and

its

brevity,

is

still

something

of

a

miracle

December 2009 poems

A CHRISTMAS POEM BY THOM SHUMAN

While they were there, the time came for the baby to be born, and she gave birth to her firstborn, a son. She wrapped him in cloths and placed him in a manger, because there was no room for them in the inn.

Luke 2:6-7

you could have
come
as warrior, ready
to take us on
one at a time
or en masse . . .

you could have
come
a whirlwind
swirling, twirling,
twisting around us,
flinging us up into
the air . . .

you could have
come
with a bag of
chocolates
in one hand
and
a time-out chair
in the other;

you came
a tiny
vulnerable
baby
lungs screaming for
life,
fingers grasping for
something to hold onto,
your whole being
completely depending on
us (!) to
feed you
change you
clothe you
protect you
love you

and we were
gob-smacked.

Winter Trees
by William Carlos Williams

All the complicated details
of the attiring and
the disattiring are completed!
A liquid moon
moves gently among
the long branches.
Thus having prepared their buds
against a sure winter
the wise trees
stand sleeping in the cold.

Starlings in Winter
by Mary Oliver

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can't imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,

even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard, I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

UP
By Margaret Atwood

You wake up filled with dread.
There seems no reason for it.
Morning light sifts through the window, there is birdsong,
you can't get out of bed.

It's something about the crumpled sheets
hanging over the edge like jungle
foliage, the terry slippers gaping
their dark pink mouths for your feet,
the unseen breakfast--some of it
in the refrigerator you do not dare
to open--you do not dare to eat.

What prevents you? The future. The future tense,
immense as outer space.
You could get lost there.
No. Nothing so simple. The past, its destiny
and drowned events pressing you down,
like sea water, like gelatin
filling your lungs instead of air.

Forget that and let's get up.
Try moving your arm.
Try moving your head.
Pretend the house is on fire
and you must run or burn.
No, that one's useless.
It's never worked before.

Where is it coming from, this echo,
this huge No that surrounds you,
silent as the folds of the yellow
curtains, mute as the cheerful

Mexican bowl with its cargo
of mummified flowers?
(You chose the colours of the sun,
not the dried neutrals of shadow.
God knows you've tried.)

Now here's a good one:
You're lying on your deathbed.
You have one hour to live.
Who is it, exactly, you have needed
all these years to forgive?

November 2009 poems

The Wild Geese

by Wendell Berry

Horseback on Sunday morning,
harvest over, we taste persimmon
and wild grape, sharp sweet
of summer's end. In time's maze
over the fall fields, we name names
that went west from here, names
that rest on graves. We open
a persimmon seed to find the tree
that stands in promise,
pale, in the seed's marrow.
Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear,
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye
clear. What we need is here.

THIS LONG NIGHT
By Elinor Roberts Hartt

The empty silence
this long night
can offer no protection
against that proud
highriding mystery
the moon's perfection.

A Psalm of Life
By Henry Wadsworth Longfellow

Tell me not, in mournful numbers,
Life is but an empty dream!

For the soul is dead that slumbers,
And things are not what they seem.

Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.

Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each tomorrow
Find us farther than today.

Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.

In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!

Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, — act in the living Present!
Heart within, and God o'erhead!

Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;

Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.

Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.

October 2009 poems

Sunrise
by Mary Oliver

You can
die for it --
an idea,
or the world. People

have done so,
brilliantly,
letting
their small bodies be bound
to the stake,creating
an unforgettable
fury of light. But

this morning,
climbing the familiar hills
in the familiar
fabric of dawn, I thought

of China ,
and India
and Europe , and I thought
how the sun

blazes
for everyone just
so joyfully
as it rises

under the lashes
of my own eyes, and I thought
I am so many!
What is my name?

What is the name
of the deep breath I would take
over and over
for all of us? Call i

whatever you want, it is
happiness, it is another one
of the ways to enter
fire.

Waiting in Line
by Nick Penna, fifth grade

When you listen you reach
into dark corners and
pull out your wonders.
When you listen your
ideas come in and out
like they were waiting in line.
Your ears don’t always listen.
It can be your brain, your
fingers, your toes.
You can listen anywhere.
Your mind might not want to go.
If you can listen you can find
answers to questions you didn’t know.
If you have listened, truly
listened, you don’t find your
self alone.

Endless Streams and Mountains

Ch'i Shan Wu Chin

By Gary Snyder

Clearing the mind and sliding in

to that created space,

a web of waters streaming overrocks,

air misty but not raining,

seeing this land from a boat on a lake
or a broad slow river,
coasting by.

The path comes down along a lowland stream
slips behind boulders and leafy hardwoods,reappears in a pine grove,

no farms around, just tidy cottages and shelters,

gateways, rest stops, roofed but unwalled work space,
—a warm damp climate;

a trail of climbing stairsteps forks upstream.

Big ranges lurk behind these rugged little outcrops—

these spits of low ground rocky uplifts
layered pinnacles aslant,

flurries of brushy cliffs receding,
far back and high above, vague peaks.
A man hunched over, sitting on a log
another stands above him, lifts a staff,
a third, with a roll of mats or a lute, looks on;
a bit offshore two people in a boat.

The trail goes far inland,
somewhere back around a bay,
lost in distant foothill slopes
& back again
at a village on the beach, and someone's fishing.

Rider and walker cross a bridgeabove a frothy braided torrent
that descends from a flurry of roofs like flowers
temples tucked between cliffs,
a side trail goes there;

a jumble of cliffs above,
ridge tops edged with bushes,
valley fog below a hazy canyon.

A man with a shoulder load leans into the grade.

Another horse and a hiker,

the trail goes up along cascading streambed

no bridge in sight—comes back through chinquapin or
liquidambars;another group of travelers.
Trail's end at the edge of an inlet
below a heavy set of dark rock hills.
Two moored boats with basket roofing,
a boatman in the bow looks
lost in thought.

Hills beyond rivers, willows in a swamp,
a gentle valley reaching far inland.

The watching boat has floated off the page.

Walking The Marshland
by Stephen Dunn

It was no place for the faithless,
so I felt a little odd
walking the marshland with my daughters,

Canada geese all around and the blue
herons just standing there;
safe, and the abundance of swans.

The girls liked saying the words,
gosling, egret, whooping crane, and they liked
when I agreed. The casinos were a few miles
to the east.

I liked saying craps and croupier
and sometimes I wanted to be lost
in those bright
windowless ruins. It was April,
the gnats and black flies
weren't out yet.
The mosquitoes hadn't risen
from their stagnant pools to trouble
paradise and to give us
the great right to complain.

I loved these girls. The world
beyond Brigantine
awaited their beauty and beauty
is what others want to own.
I'd keep that
to myself. The obvious
was so sufficient just then.

Sandpiper. Red-wing
Blackbird. "Yes," I said.
But already we were near the end.
Praise refuge,
I thought. Praise whatever you can.

Water Table

by Billy Collins

It is on dry sunny days like this one that I find myself
thinking about the enormous body of water
that lies under this house,
cool, unseen reservoir,
silent except for the sounds of dripping
and the incalculable shifting
of all the heavy darkness that it holds.

This is the water that our well was dug to sip
and lift to where we live,
water drawn up and falling on our bare shoulders,
water filling the inlets of our mouths,
water in a pot on the stove.

The house is nothing now but a blueprint of pipes,
a network of faucets, nozzles, and spigots,
and even outdoors where light pierces the air
and clouds fly over the canopies of trees,
my thoughts flow underground
trying to imagine the cavernous scene.

Surely it is no pool with a colored ball
floating on the blue surface.
No grotto where a king would have
his guests rowed around in swan-shaped boats.
Between the dark lakes where the dark rivers flow
there is no ferry waiting on the shore of rock
and no man holding a long oar,
ready to take your last coin.
This is the real earth and the real water it contains.

But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain.

September 2009 poems

September Meditation

By Burton D. Carley

I do not know if the seasons remember their history or if the days and nights by which we count time remember their own passing.

I do not know if the oak tree remembers its planting or if the pine remembers its slow climb toward sun and stars.

I do not know if the squirrel remembers last fall's gathering or if the bluejay remembers the meaning of snow.

I do not know if the air remembers September or if the night remembers the moon.

I do not know if the earth remembers the flowers from last spring or if the evergreen remembers that it shall stay so.

Perhaps that is the reason for our births -- to be the memory for creation.

Perhaps salvation is something very different than anyone ever expected.

Perhaps this will be the only question we will have to answer:

"What can you tell me about September?"

My Life Before I Knew It

By Lawrence Raab

I liked rainy days

when you didn't have to go outside and play.

At night I'd tell my sister

there were snakes under her bed.

When I mowed the lawn I imagined being famous.

Cautious and stubborn, unwilling to fail,

I knew for certain what I didn't want to know.

I hated to dance. I hated baseball,

and collected airplane cards instead.

I learned to laugh at jokes I didn't get.

The death of Christ moved me,

but only at the end of Ben Hur.

I thought Henry Mancini was a great composer.

My secret desire was to own a collie

who would walk with me in the woods

when the leaves were falling

and I was thinking about writing the stories

that would make me famous.

Sullen, overweight, melancholy,

writers didn't have to be good at sports.

They stayed inside for long periods of time.

They often wore glasses. But strangers

were moved by what they accomplished

and wrote them letters. One day

one of those strangers would introduce

herself to me, and then

the life I'd never been able to foresee

would begin, and everything

before I became myself would appear

necessary to the rest of the story.

Personal

by Tony Hoagland

Don’t take it personal, they said;
but I did, I took it all quite personal—

the breeze and the river and the color of the fields;
the price of grapefruit and stamps,

the wet hair of women in the rain—
And I cursed what hurt me

and I praised what gave me joy,
the most simple-minded of possible responses.

The government reminded me of my father,
with its deafness and its laws,

and the weather reminded me of my mom,
with her tropical squalls.

Enjoy it while you can, they said of Happiness
Think first, they said of Talk

Get over it, they said
at the School of Broken Hearts

but I couldn’t and I didn’t and I don’t
believe in the clean break;

I believe in the compound fracture
served with a sauce of dirty regret,

I believe in saying it all
and taking it all back

and saying it again for good measure
while the air fills up with I’m-Sorries

like wheeling birds
and the trees look seasick in the wind.

Oh life! Can you blame me
for making a scene?

You were that yellow caboose, the moon
disappearing over a ridge of cloud.

I was the dog, chained in some fool’s backyard;
barking and barking:

trying to convince everything else
to take it personal too.

The Prayer Tree

by Michael Leunig

God give us rain when we expect sun.
Give us music when we expect trouble.
Give us tears when we expect breakfast.
Give us dreams when we expect a storm.
Give us a stray dog when we expect congratulations.
God play with us, turn us sideways and around.

The Ball

by Wislawa Szymborska

As long as nothing can be known for sure
(no signals have been picked up yet),
as long as Earth is still unlike
the nearer and more distant planets,

as long as there's neither hide nor hair
of other grasses graced by other winds,
of other treetops bearing other crowns,
other animals as well-grounded as our own,

as long as only the local echo
has been known to speak in syllables,

as long as we still haven't heard word
of better or worse mozarts,
platos, edisons somewhere,

as long as our inhuman crimes
are still committed only between humans,

as long as our kindness
is still incomparable,
peerless even in its imperfection,

as long as our heads packed with illusions
still pass for the only heads so packed,

as long as the roofs of our mouths alone
still raise voices to high heavens--

let's act like very special guests of honor
at the district-firemen's ball
dance to the beat of the local oompah band,
and pretend that it's the ball
to end all balls.

I can't speak for others--
for me this is
misery and happiness enough:

just this sleepy backwater
where even the stars have time to burn
while winking at us
unintentionally.

Postscript
By Seamus Heaney

And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.

Rivertalk

by Jeanne Lohmann

Rivertalk

is whatever comes along,
practice always here while we

keep on shore, all the time
saying we want to get wet.

But the river has ways
of sound and light, ripples

and waves that tell us:
don't be so serious, rumble in

where nothing is finished or broken
and nothing asks to be fixed.

August 2009 poems

On a Perfect Day

by Jane Gentry

... I eat an artichoke in front
of the Charles Street Laundromat
and watch the clouds bloom
into white flowers out of
the building across the way.
The bright air moves on my face
like the touch of someone who loves me.
Far overhead a dart-shaped plane softens
through membranes of vacancy. A ship,
riding the bright glissade of the Hudson , slips
past the end of the street. Colette's vagabond
says the sun belongs to the lizard
that warms in its light. I own these moments
when my skin like a drumhead stretches on the frame
of my bones, then swells, a bellows filled
with sacred breath seared by this flame,
this happiness.

WHAT DO THEY SAY
By Gary Synder

The glimpse of a once loved face
gone on a train.
Lost in a new town, no one knows the name.
lone man sitting in the park
Chanced on by a friend
of thirty years before,
what do they say.
Play chess with bottle caps.
"for sale" sign standing in the field:
dearest, dearest,
Soot on the sill,
a garden full of weeds

"Prayer is the peace of our spirit, the stillness of our thoughts, the evenness of recollection, the seat of meditation, the rest of our cares and the calm of our tempest; prayer is the issue of a quiet mind, of untroubled thoughts, it is the daughter of charity, and the sister of meekness."

-- Jeremy Taylor, 1653

Enjoy the Day
By Gary Snyder

One morning on a ridgetop east of Loowit
after campfire coffee

looking at the youthful old volcano
breathing steam and sulfer
sunrise lava
bowls of snow

went up behind a mountain hemlock
asked my old advisors where they lay

what's going on?

they say

"New friends and dear sweet old tree ghosts
here we are again. Enjoy the day."

Red Bird Explains Himself

by Mary Oliver

“Yes, I was the brilliance floating over the snow
and I was the song in the summer leaves, but this was
only the first trick
I had hold of among my other mythologies,
for I also knew obedience: bring sticks to the nest,
food to the young, kisses to my bride.

But don’t stop there, stay with me: listen.

If I was the song that entered your heart
then I was the music of your heart, that you wanted and needed,
and thus wilderness bloomed that, with all its
followers: gardeners, lovers, people who weep
for the death of rivers.

And this was my true task, to be the
music of the body. Do you understand? for truly the body needs
a song, a spirit, a soul. And no less, to make this work,
the soul has need of a body,
and I am both of the earth and I am of the inexplicable
beauty of heaven
where I fly so easily, so welcome, yes,
and this is why I have been sent, to teach this to your heart.”

CAPABLE FLESH

The tender flesh itself
will be found one day
-- quite surprisingly --
to be capable of receiving,
and yes, full
capable of embracing
the searing energies of God.
Go figure. Fear not.
For even at its beginning
the humble clay received
God’s art, whereby
one part became the eye,
another the ear, and yet
another this impetuous hand.
Therefore, the flesh
is not to be excluded
from the wisdom and the power
that now and ever animates
all things. His life-giving
agency is made perfect,
we are told, in weakness –
made perfect in the flesh.

St. Irenaeus
Adapted and translated by Scott Cairns