Tuesday, June 9, 2009

June 2009 poems

To Alexander Graham
By W.S. Graham

Lying asleep walking
Last night I met my father
Who seemed pleased to see me.
He wanted to speak. I saw
His mouth saying something
But the dream had no sound.

We were surrounded by
Laid-up paddle steamers
In The Old Quay in Greenock .
I smelt the tar and the ropes.

It seemed that I was standing
Beside the big iron cannon
The tugs used to tie up to
When I was a boy. I turned
To see Dad standing just
Across the causeway under
That one lamp they keep on.

He recognised me immediately.
I could see that. He was
The handsome, same age
With his good brows as when
He would take me on Sundays
Saying we’ll go for a walk.

Dad, what am I doing here?
What is it I am doing now?
Are you proud of me?
Going away, I knew
You wanted to tell me something.

You stopped and almost turned back
To say something. My father,
I try to be the best
In you you give me always.

Lying asleep turning
Round in the quay-lit dark
It was my father standing
As real as life. I smelt
The quay’s tar and the ropes.

I think he wanted to speak.
But the dream had no sound.
I think I must have loved him.
What’s Left
by Kerrie Hardie

I used to wait for the flowers,
my pleasure reposed on them.
Now I like plants before they get to the blossom.
Leafy ones – foxgloves, comfrey, delphiniums –
fleshy tiers of strong leaves pushing up
into air grown daily lighter and more sheened
with bright dust like the eyeshadow
that tall young woman in the bookshop wears,
its shimmer and crumble on her white lids.

The washing sways on the line, the sparrows pull
at the heaps of drying weeds that I’ve left around.
Perhaps this is middle age. Untidy, unfinished,
knowing there’ll never be time now to finish,
liking the plants – their strong lives –
not caring about flowers, sitting in weeds
to write things down, look at things,
watching the sway of shirts on the line,
the cloth filtering light.

I know more or less
how to live through my life now.
But I want to know how to live what’s left
with my eyes open and my hands open;
I want to stand at the door in the rain
listening, sniffing, gaping.
Fearful and joyous,
like an idiot before God.
From “Meditation” 
by Teilhard de Chardin (French) c.1881

Love
is the free and imaginative outflowing
of the Spirit over all unexplored paths.
It links those
who love in bonds that unite,
but do not destroy, causing them to discover in their mutual contact
an exultation capable of stirring in the very core
of their being all that they possess
of ‘uniqueness’ and ‘creative’ power.
Love alone
can unite living beings
so as to complete and fulfill them,
for it alone joins them by what is deepest
in themselves. All we need
is to imagine our ability to love
developing until it embraces the totality
of the people of the Earth.

Theoretically,
this transformation of love is quite possible.
What paralyzes life is failure to believe
And failure to dare.
The day will come when,
after harnessing space,
the winds,
the tides,
and gravitation,
We shall harness for God the energies of love.
And, on that day, for the second time
in the history of the world,
we shall have discovered fire.
The Moment
by Margaret Atwood
(from
Morning in the Burned House)

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

Monday, May 11, 2009

May 2009 poems

Mysteries, Yes
By Mary Oliver

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
"Look!" and laugh in astonishment,
and bow their heads.

Seek Patience

by Maya Angelou

Seek patience
and passion
in equal amounts.

Patience alone
will not build the temple.

Passion alone
will destroy its walls.

In Praise of the Great Bull Walrus

by Alden Nowlan

I wouldn't like to be one
of the walrus people
for the rest of my life
but I wish I could spend
one sunny afternoon
lying on the rocks with them.
I suspect it would be similar
to drinking beer in a tavern
that caters to longshoremen
and won't admit women.
We'd exchange no
cosmic secrets. I'd merely say,
"How yuh doin' you big old walrus?"
and the nearest of
the walrus people
would answer,
"Me? I'm doin' great.
How yuh doin' yourself,
you big old human being, you?"
How good it is to share
the earth with such creatures
and how unthinkable it would have been
to have missed all this
by not being born:
a happy thought, that,
for not being born is
the only tragedy
that we can imagine
but never fear.


Invisible Work

by Alison Luterman

Because no one could ever praise me enough,
because I don't mean these poems only
but the unseen
unbelievable effort it takes to live
the life that goes on between them,
I think all the time about invisible work.
About the young mother on Welfare
I interviewed years ago,
who said, "It's hard.
You bring him to the park,
run rings around yourself keeping him safe,
cut hot dogs into bite-sized pieces for dinner,
and there's no one
to say what a good job you're doing,
how you were patient and loving
for the thousandth time even though you had a headache."
And I, who am used to feeling sorry for myself
because I am lonely,
when all the while,
as the Chippewa poem says, I am being carried
by great winds across the sky,
thought of the invisible work that stitches up the world day and night,
the slow, unglamorous work of healing,
the way worms in the garden
tunnel ceaselessly so the earth can breathe
and bees ransack this world into being,
while owls and poets stalk shadows,
our loneliest labors under the moon.

There are mothers
for everything, and the sea
is a mother too,
whispering and whispering to us
long after we have stopped listening.
I stopped and let myself lean
a moment, against the blue
shoulder of the air. The work
of my heart
is the work of the world's heart.
There is no other art.

Friday, April 3, 2009

April 2009 poems

In Blackwater Woods
by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

In Colorado , In Oregon , upon
by Joshua Beckman

In Colorado , In Oregon , upon
each beloved fork, a birthday is celebrated.
I miss each and every one of my friends.
I believe in getting something for nothing.
Push the chair, and what I can tell you
with almost complete certainty
is that the chair won't mind.
And beyond hope,
I expect it is like this everywhere.
Music soothing people.
Change rolling under tables.
The immaculate cutoff so that we may continue.
A particular pair of trees waking up against the window.
This partnership of mind, and always now
in want of forgiveness. That forgiveness be
the domain of the individual,
like music or personal investment.
Great forward-thinking people brought us
the newspaper, and look what we have done.
It is time for forgiveness. Dear ones,
unmistakable quality will soon be upon us.
Don't wait for anything else.



Mysteries, Yes

By Mary Oliver

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
"Look!" and laugh in astonishment,
and bow their heads.

HELL
By Franz Wright, God’s Silence, 2006
But if they were condemned to suffer
this unending torment, sooner or later
wouldn’t they become the holy?

The Hymnal (blue) 1982

By James Richardson

O Gracious Light (twenty-five)

to dawn’s early light (seven-hundred-twenty)

You’ll find the block numbers up on the wall

       they change every week.

Then find a blue book in front of you.

So many hands hold it,

       their eyes careening across scratches

              and dots.

       mouths in Os, open, take a breath,

oh please take a breath

So many hands smudge the corners

       afraid to touch above the tiny italic,

       never veering above

              Watts, Proulx or Winkworth.

The book, after all, is silent, always.

       Or is it?

       The tunes leaping from eye to fingers to keyboard

The rest of us faking it a little,

       Or a lot.

       Warbling up and down with the dots and scratches,

              cross hatches become sounds,

              and that is a miracle if ever there was one.

Ever notice the lower corners on the cover of the Hymnal (blue) 1982?

       A little tatered, bent, flattened

specks of brown paper sticking out,

bits of cardboard fraying,

Like my voice.

Monday, March 2, 2009

March 2009 poems

Salvation
by Lynn Ungar

By what are you saved? And how?
Saved like a bit of string,
tucked away in a drawer?
Saved like a child rushed from
a burning building, already
singed and coughing smoke?
Or are you salvaged
like a car part -- the one good door
when the rest is wrecked?

Do you believe me when I say
you are neither salvaged nor saved,
but salved, anointed by gentle hands
where you are most tender?
Haven't you seen
the way snow curls down
like a fresh sheet, how it
covers everything,
makes everything
beautiful, without exception?

Tangerine 
By Ruth L. Schwartz

It was a flower once, it was one of a billion flowers
whose perfume broke through closed car windows,
forced a blessing on their drivers.
Then what stayed behind grew swollen, as we do;
grew juice instead of tears, and small hard sour seeds,
each one bitter, as we are, and filled with possibility.
Now a hole opens up in its skin, where it was torn from the
branch; ripeness can’t stop itself, breathes out;
we can’t stop it either. We breathe in.

~

The Orange  
Wendy Cope

At lunchtime I bought a huge orange
The size of it made us all laugh.
I peeled it and shared it with Robert and Dave—
They got quarters and I had a half.

And that orange it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park
This is peace and contentment. It’s new.

The rest of the day was quite easy.
I did all my jobs on my list
And enjoyed them and had some time over.
I love you. I’m glad I exist.



The Apple Orchard
by Rainer Maria Rilke

Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to
serve another season's hundred days of toil,
straining, uncomplaining, by not breaking
but succeeding, even though the burden
should at times seem almost past endurance.
Not to falter! Not to be found wanting!

Thus must it be, when willingly you strive
throughout a long and uncomplaining life,
committed to one goal: to give yourself!
And silently to grow and to bear fruit.

Listening
by David Ignatow

You wept in your mother's arms
and I knew that from then on
I was to forget myself.

Listening to your sobs,
I was resolved against my will
to do well by us
and so I said, without thinking,
in great panic, To do wrong
in one's own judgment,
though others thrive by it,
is the right road to blessedness.
Not to submit to error
is in itself wrong
and pride.

Standing beside you,
I took an oath
to make your life simpler
by complicating mine
and what I always thought
would happen did:
I was lifted up in joy.

An Armor of Roses
By Rumi

Take January’s advice. Stack wood.
Weather inevitably turns cold, and you

make fires to stay healthy. Study
the grand metaphor of this yearly work.

Wood is a symbol for absence. Fire,
for your love of God. We burn form

to warm the soul. Soul loves winter
for that, and accepts reluctantly the

comfort of spring with its elegant,
proliferating gifts. All part of the

plan: fire becoming ash becoming
garden soil becoming mint, willow, and

tulip. Love looks like fire. Feed
yourself into it.

Friday, February 20, 2009

February 2009 poems

Selections: Hua Hu Ching 
Lao Tzu (Chinese) b.570

Do you imagine the universe is agitated?
Go into the desert at night and look out at the stars.
This practice should answer the question.

~

Unless the mind, body and spirit are equally
developed and fully integrated, no [wisdom] can be sustained
This is why extremist religions and ideologies do not
bear fruit.

~

The highest truth cannot be put into words.
Therefore the greatest teacher has nothing to say.
He simply gives himself in service, and never worries.

R.M. Rilke

I am too alone in the world, and not alone enough
To make every minute holy.
I am too tiny in this world, and not tiny enough
Just to lie before you like a thing,
Shrewd and secretive.
I want my own will, and I want simply to be my will,
As it goes toward action,
And in the silent, sometimes hardly moving times
When something is coming near,
I want to be with those who know secret things or else alone.
I want to be a mirror for your whole body,
And I never want to be blind, or to be too old
To hold up your heavy and swaying picture.
I want to unfold.
I don’t want to stay folded anywhere,
Because where I am folded, there I am a lie.
And I want my grasp of things
True before you. I want to describe myself
Like a painting that I looked at
Closely for a long time,
Like a saying that I finally understood,
Like the pitcher I use every day,
Like the face of my mother
Like a ship
That took me safely
Through the wildest storm of all.

Unfold Your Own Myth
By Rumi

But don’t be satisfied with stories, how things
have gone with others. Unfold
your own myth, without complicated explanation,
so everyone will understand the passage,
We have opened you.

Start walking towards Shams [the sun]. You legs will get heavy
and tired. Then comes a moment
of feeling the wings you’ve grown,
lifting.


Questions About Angels

By Billy Collins

Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.

No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.

Do they fly through God's body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?

What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?

If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?

If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?

No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.

It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.

She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.

Monday, January 12, 2009

January 2009 poems

Happiness
By Jane Kenyon

There's just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basket maker,
and to the clerk stacking cans of carrots
in the night.
It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.


Christmas Oratio (For the Time Being)
By W.H. Auden

Well, so that is that. Now we must dismantle the tree,
Putting the decorations back into their cardboard boxes --
Some have got broken -- and carrying them up to the attic.
The holly and the mistletoe must be taken down and burnt,
And the children got ready for school. There are enough
Left-overs to do, warmed-up, for the rest of the week --
Not that we have much appetite, having drunk such a lot,
Stayed up so late, attempted -- quite unsuccessfully --
To love all of our relatives, and in general
Grossly overestimated our powers. Once again
As in previous years we have seen the actual Vision and failed
To do more than entertain it as an agreeable
Possibility, once again we have sent Him away,
Begging though to remain His disobedient servant,
The promising child who cannot keep His word for long.
The Christmas Feast is already a fading memory,
And already the mind begins to be vaguely aware
Of an unpleasant whiff of apprehension at the thought
Of Lent and Good Friday which cannot, after all, now
Be very far off. But, for the time being, here we all are,
Back in the moderate Aristotelian city
Of darning and the Eight-Fifteen, where Euclid's geometry
And Newton's mechanics would account for our experience,
And the kitchen table exists because I scrub it.
It seems to have shrunk during the holidays. The streets
Are much narrower than we remembered; we had forgotten
The office was as depressing as this. To those who have seen
The Child, however dimly, however incredulously,
The Time Being is, in a sense, the most trying time of all.
For the innocent children who whispered so excitedly
Outside the locked door where they knew the presents to be
Grew up when it opened. Now, recollecting that moment
We can repress the joy, but the guilt remains conscious;
Remembering the stable where for once in our lives
Everything became a You and nothing was an It.
And craving the sensation but ignoring the cause,
We look round for something, no matter what, to inhibit
Our self-reflection, and the obvious thing for that purpose
Would be some great suffering. So, once we have met the Son,
We are tempted ever after to pray to the Father;
"Lead us into temptation and evil for our sake."
They will come, all right, don't worry; probably in a form
That we do not expect, and certainly with a force
More dreadful than we can imagine. In the meantime
There are bills to be paid, machines to keep in repair,
Irregular verbs to learn, the Time Being to redeem
From insignificance. The happy morning is over,
The night of agony still to come; the time is noon:
When the Spirit must practice his scales of rejoicing
Without even a hostile audience, and the Soul endure
A silence that is neither for nor against her faith
That God's Will will be done, That, in spite of her prayers,
God will cheat no one, not even the world of its triumph.

Wednesday, December 31, 2008

December 2008 poems

The Changing Light
by Lawrence Ferlinghetti

The changing light
at San Francisco
is none of your East Coast
light
none of your
pearly light of Paris
The light of San Francisco
is a sea light
an island light
And the light of fog
blanketing the hills
drifting in at night
through the Golden Gate
to lie on the city at dawn
And then the halcyon late mornings
after the fog burns off
and the sun paints white houses with the sea light of Greece
with sharp clean shadows
making the town look like
it had just been painted
But the wind comes up at four o'clock
sweeping the hills
And then the veil of light of early evening
And then another scrim
when the new night fog
floats in
And in that vale of light
the city drifts
anchorless upon the ocean

Starry Night

Some say that ever,
`Gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad,
The nights are wholesome,
Then no planets strike,
No fairy takes,
Nor witch hath power to charm,
So hallow'd and so gracious is the time.

Hamlet – Act 1, Scene 1

An Ill Wind
By Louis Jenkins

Today there's a cold northeast wind blowing, piling up ice all
along the water's edge.

The Point is deserted, no one for five
miles down the beach.

Just the way I like it.

The sand is frozen mostly, so the walking is easy as I pick my way through the
wrack and drift.

Today I don't even leave footprints.

Wind, sand, sun and water. A simplicity that defies comprehension.

The barest essentials for the imagination's work. This shore has
been pretty much the same for ten thousand years.

Countless others have been here before me, musing and pondering, as
they walked down the beach and disappeared forever.

So here's what I'm thinking: wouldn't it be great if one of them dropped
a big roll of hundred dollar bills and I found it?